AXIS MUNDO: QUEER NETWORKS IN CHICANO LA
An exhibition of work by a collaborative network of over 50 LA-based queer Chicanx artists produced through the 1960s to 1990s
Curated by C. Ondine Chavoya and David Evans Frantz
Hunter College Art Galleries: 205 Hudson Gallery & Bertha and Karl Leubsdorf Gallery
June 22–August 19, 2018
Opening reception: June 21, 2018, 6–9pm
Gallery hours: Wednesday–Sunday, 1–6pm
Axis Mundo: Queer Networks in Chicano L.A. is a traveling exhibition that explores the intersections among a network of over fifty artists. This historical exhibition is the first of its kind to excavate histories of experimental art practice, collaboration, and exchange by a group of Los Angeles-based queer Chicanx artists between the late 1960s and early 1990s. While the exhibition’s heart looks at the work of Chicanx artists in Los Angeles, it reveals extensive new research into the collaborative networks that connected these artists to one another and to artists from many different communities, cultural backgrounds, sexual orientations, and international urban centers, thus deepening and expanding narratives about the development of the Chicano Art Movement, performance art, and queer aesthetics and practices.
As referenced in its title, the exhibition also sheds light onto the work of Edmundo “Mundo” Meza (1955–1985), a central figure within his generation. Primarily a painter, but also known for his performances, design, and installation work, Meza collaborated with many of his peers towards developing new art practices amid emerging movements of political and social justice activism.
Axis Mundo presents over two decades of work—painting, performance ephemera, print material, video, music, fashion, and photography—in the context of significant artistic and cultural movements: mail art and artist correspondences; the rise of Chicanx, LGBTQ, and feminist print media; the formation of alternative spaces; fashion culture; punk music and performance; and artistic responses to the AIDS crisis. As a result of thorough curatorial research, Axis Mundo marks the first historical consideration and significant showing of many of these pioneering artists’ work.
Artists: Laura Aguilar, Jerri Allyn, Carlos Almaraz, Skot Armstrong, David Arnoff, Steven Arnold, Asco, Judith F. Baca, Alice Bag, Tosh Carrillo, Monte Cazazza, Edward Colver, Vaginal Davis, DIVA TV, Jerry Dreva, Tomata Du Plenty, Simon Doonan, Tomata du Plenty, Elsa Flores, Anthony Friedkin, Harry Gamboa Jr., Roberto Gil de Montes, Gronk, Jef Huereque, Louis Jacinto, Ray Johnson, Alison Knowles, Robert Lambert, Robert Legorreta (Cyclona), Zoe Leonard, Les Petites Bonbons, Scott Lindgren, Mundo Meza, Judy Miranda, Ray Navarro, Nervous Gender, Graciela Gutiérrez Marx and Edgardo Antionio Vigo, Richard Nieblas, Dámaso Ogaz, Pauline Oliveros, Ferrara Brain Pan, Genesis Breyer P-Orridge, Clemente Padín, Phranc, Ruby Ray, Albert Sanchez, Teddy Sandoval, Joey Terrill, Cosey Fanni Tutti, Patssi Valdez, Ricardo Valverde, Jack Vargas, Gerardo Velázquez, Johanna Went, Faith Wilding
Exhibition tour is organized by Independent Curators International (ICI).
Axis Mundo: Queer Networks in Chicano L.A. is curated by C. Ondine Chavoya and David Evans Frantz as part of Pacific Standard Time: LA/LA, an initiative of the Getty to encourage ambitious research and exhibitions at Southern California cultural institutions. The exhibition is organized by ONE National Gay & Lesbian Archives at the USC Libraries in collaboration with The Museum of Contemporary Art, Los Angeles, and organized as a traveling exhibition by Independent Curators International (ICI). Lead support for Axis Mundo is provided through grants from the Getty Foundation.
This exhibition is supported in part by an award from the National Endowment for the Arts. Additional support has been provided by The Calamus Foundation of New York, Inc., the City of West Hollywood through WeHo Arts—the City’s Arts Division and Arts & Cultural Affairs Commission, Kathleen Garfield, the ONE Archives Foundation, the USC Libraries, and the Luis Balmaseda Fund for Gay & Lesbian Archives, administered by the California Community Foundation. Funding for the exhibition tour has been provided by the generous support from ICI’s International Forum and the ICI Board of Trustees.
The presentation at the Hunter College Art Galleries has been organized in collaboration with Chief Curator Sarah Watson. Additional support has been provided by the David Bershad Family Foundation, the Susan V. Bershad Charitable Fund, Inc., Carol and Arthur Goldberg, Agnes Gund in support of the Advanced Curatorial Certificate, and the Leubsdorf Fund.
Co-published by ONE National Gay & Lesbian Archives at the USC Libraries and DelMonico Books/Prestel, the expansive 414-page catalogue for Axis Mundo includes over 500 images, ten essays, and over 50 individual artist biographical entries. Edited by C. Ondine Chavoya and David Evans Frantz with contributions from Leticia Alvarado, Julia Bryan-Wilson, Simon Doonan, Macarena Gómez-Barris, Colin Gunckel, Joshua Javier Guzmán, Iván A. Ramos, and Richard T. Rodríguez.
About the Curators
C. Ondine Chavoya
C. Ondine Chavoya is Professor of Art History and Latina/o Studies at Williams College in Williamstown, Massachusetts. He is the author of numerous texts on Chicanx avant-garde art, video, and experimental cinema, and is a leading figure in the field of Latinx art history and visual culture. His curatorial projects have addressed issues of collaboration, experimentation, social justice, and archival practices in contemporary art. Chavoya has organized exhibitions and events including Asco: Elite of the Obscure, A Retrospective, 1972–1987, the first museum retrospective to present the wide-ranging work of the performance and conceptual art group Asco (2011–2013) with Rita Gonzalez, and Robert Rauschenberg: Autobiography (2016) and Michel Auder: Chronicles and Other Scenes (2004) with Lisa Dorin.
David Evans Frantz
David Evans Frantz is curator at ONE National Gay & Lesbian Archives at the USC Libraries. Over the past seven years, his work at ONE has sought to draw greater scholarly and public attention to under recognized histories of queer art and culture while connecting contemporary artists to the archives’ rich, yet largely unexplored, collections. In 2011, Frantz co-curated with Mia Locks the exhibition Cruising the Archive: Queer Art and Culture in Los Angeles, 1945–1980 as a part of the first Pacific Standard Time: Art in L.A., 1945–1980. In 2014, he was the curator of the show-within-a-show, Tony Greene: Amid Voluptuous Calm, part of the Made in L.A. biennial at the Hammer Museum. Most recently he co-curated with C. Ondine Chavoya Axis Mundo: Queer Network in Chicano L.A., a collaboration between ONE Archives and The Museum of Contemporary Art, Los Angeles, for Pacific Standard Time: LA/LA.
Independent Curators International (ICI) produces exhibitions, events, publications, research and training opportunities for curators and diverse audiences around the world. Established in 1975 and headquartered in New York, ICI is a hub that connects emerging and established curators, artists, and art spaces, forging international networks and generating new forms of collaborations. ICI provides access to the people and practices that are key to current developments in the field, inspiring fresh ways of seeing and contextualizing contemporary art.